|
Gerbrand Van Den Eeckhout, Eeckhout, Gerbrand Van Den
Gerbrand may refer to: * Gerbrand (da) (fl. c. 1022-1030), Bishop of the Diocese of Roskilde, in Denmark * Gerbrand Adriaensz Bredero (1585-1618), Dutch writer * Gerbrand van den Eeckhout Gerbrand van den Eeckhout (19 August 1621 – 29 September 1674) was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art. Biography Gerbrand was born in A ... (1621-1674), Dutch painter {{Given name Dutch masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerbrand (bishop)
Gerbrand may refer to: * Gerbrand (da) (fl. c. 1022-1030), Bishop of the Diocese of Roskilde, in Denmark * Gerbrand Adriaensz Bredero (1585-1618), Dutch writer * Gerbrand van den Eeckhout Gerbrand van den Eeckhout (19 August 1621 – 29 September 1674) was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art. Biography Gerbrand was born i ... (1621-1674), Dutch painter {{Given name Dutch masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Diocese Of Roskilde
The former Diocese of Roskilde () was a diocese within the Roman-Catholic Church which was established in Denmark some time before 1022. The diocese was dissolved with the Reformation of Denmark and replaced by the Protestant Diocese of Zealand in 1537. History The episcopal see of the Bishop was Roskilde Cathedral but from 1167, when Bishop Absalon completed a new bishop's palace known as Absalon's Castle on the small island of Slotsholmen, he resided at the small town of ''Havn'', which later became the present Danish capital Copenhagen. The diocese originally included both the island of Zealand and Scania (southern Sweden, then part of Denmark), but Scania was disjoined in 1060 and initially divided into the short-lived Diocese of Dalby and the Diocese of Lund, which absorbed the first and became the Metropolitan of (southern) Scandinavia. Successor jurisdictions In 1868, the Roman Catholic Diocese of Copenhagen was established with St. Ansgar's Cathedral as the seat. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerbrand Adriaensz Bredero
Gerbrand Adriaenszoon Bredero (16 March 1585 – 23 August 1618) was a Dutch poet and playwright in the period known as the Dutch Golden Age. Life Gerbrand Adriaenszoon Bredero was born on 16 March 1585 in Amsterdam in the Dutch Republic, where he lived his whole life. He called himself ''"G.A. Bredero, Amstelredammer"'', and sometimes he is called ''Breero'' or ''Brederode''. He was the third child of Marry Gerbrants and Adriaen Cornelisz Bredero, who was a shoemaker and a successful real estate agent. Bredero was born in the ''Nes'', nowadays number 41, and in 1602 he and his family moved to a house on Oudezijds Voorburgwal, now number 244, which his father had bought. Bredero lived in this house for the rest of his life. Both houses are now restaurants in Amsterdam's famous red light district. At school Bredero learned French and possibly also some English and Latin. Later he was educated as an artist by the Antwerp painter Francesco Badens, but none of his paintings h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerbrand Van Den Eeckhout
Gerbrand van den Eeckhout (19 August 1621 – 29 September 1674) was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art. Biography Gerbrand was born in Amsterdam, the son of a jeweller, a Mennonite who fled after 1585 from Antwerp to the north. In 1631 his mother died. His father's second wife was Cornelia Dedel, the daughter of a founder of the Delft chamber of the Dutch East India Company. Arnold Houbraken records Van den Eeckhout was a pupil of Rembrandt. A fellow pupil to Ferdinand Bol, Nicolaes Maes and Govert Flinck, but regarded as inferior to them in skill and experience; he soon assumed Rembrandt's manner with such success that his pictures were confused with those of his master. Eeckhout does not merely copy the subjects; he also takes the shapes, the figures, the Jewish dress and the pictorial effects of his master. It is difficult to form an exact judgment of Eeckhout's qual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
